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The PITB is short but is quite enjoyable with a smooth transition into a very strong Uncle John's Band. This version is excellent and has that focus that makes the song a modern GD standout., then back to the essentials with a sweet version of Crazy Fingers, which in my opinion continued to get better as they played it through out the remainder of their GD career. Then the first surprise, the west coast breakout of Victim. Tonight is no exception.īox Rain gets the vibes going in the right direction. The "Let Phil Sing!" chant although not as common as it once had been, as Phil more than likely would sing one tune during a strong run. Set to is down right strong from start to finish and features a great set list. Jerry just completey unleashes on this one and Bob vocals are strong and passionate. I am a purist and prefer these pre-Midi versions and once you listen to it you know why.
It would be another six months until the Midi sound changed this song dramatically. The band plays it with a sonic reckoning urgency that is full of beauty and power. The highlight of this, less than 60 minute, first set is the Let it Grow. I always loved this song and the band delivers a solid performance. A couple cowboy tunes, Big River is very good, and then back to Jerry, who coming in from from Memphis where he learned to talk the jive. Was it out of boredom? Who know's but the band did fire him by by 1994 and this has to be one of the reasons why.Īlthea is a strong version with the band settling in quite nicely and firing on all cylinders. GSET is cranking and except for Healy's unnecessary messing with Bob's vocals, something he commonly did this during the late '80's up until the summer tour of 1990. The tempo is slower but Garcia thoroughly enjoys singing it and as other reviews stated this version gets better as it it played. Set one is a nice set list and I have grown to appreciate these earlier versions of Foolish Heart, which by 1990 was one of my second set favorites. Three are featured in this performance, of which one would disappear by October only to reappear once more in the Spring of 1990 believe it or not This year was the beginning of Garcia & Hunter's last great songwriting period and many staples of the 1990's came out of this period. I did get some tapes from the MSG shows from the fall of this year and they were not nearly as impressive as this night. In my case I got off the bus in late 1987. The last time this show was reviewed was almost three years. For many, myself 1988, is a often overlooked year.
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